The Silence of Bodies: The Mechanism of Erotic Telepathy and the Mechanical Escape of the Word

I do not remember when the note appeared.

That is the first thing that worries me.

Not because it is strange.

Because I should remember writing it.

It is sitting on the table in the chalk room.

A folded piece of paper.

My handwriting.

The way I stretch certain letters.

The way I close my a’s.

There is no doubt.

I wrote it.

The note contains a single sentence:

Do not answer when you hear it.

Nothing else.

No date.

No signature.

Just that sentence.

I leave it where it is.

I try to return to reading.

It doesn’t work.

Every few minutes I find myself looking back at the paper.

As if I expect a second line to appear.

It never does.

The strange part comes later.

I hear my name.

It is not a voice.

Not exactly.

It is closer to the sensation of having heard a voice.

The same difference that exists between remembering something and seeing it.

I look up.

The room remains the same.

The door remains open.

The lamp remains on.

The note remains on the table.

I try to ignore it.

Then it happens again.

My name.

The same impression.

The same proximity.

It does not come from any particular place.

That is what makes it difficult to locate.

I look at the note.

For the first time I wonder when I wrote it.

Not why.

When.

There is an important difference.

If I wrote it an hour ago, it means one thing.

If I wrote it years ago, it means something else.

And if I cannot remember writing it, it means something worse.

I take a photograph.

I do not know why.

I simply want to fix something in place.

The note.

The table.

The light.

Evidence.

I need evidence.

I put the phone down.

I wait.

I hear my name for the third time.

This time I respond.

Not with words.

Only by raising my head.

As if someone had entered the room.

No one has entered.

But my body had already obeyed before I could decide.

That is what remains with me.

Not the voice.

The obedience.

I look back at the photograph.

The note is there.

The table is there too.

But the sentence is different.

I blink.

I bring the image closer.

Then farther away.

I read it again.

Now it says:

You already answered.

I remain still.

I look at the real note.

It still says:

Do not answer when you hear it.

I look at the photograph.

You already answered.

I look at the table.

Photograph.

Table.

Photograph.

Table.

I am no longer sure which version appeared first.

That uncertainty stays.

I try to remember the exact moment I raised my head.

I cannot.

I only remember the feeling that something was waiting for that response.

There is a rule I do not remember learning:

some questions do not seek answers. They seek proof that you are still there.

The room does not change.

The lamp does not change.

The door remains open.

That is what concerns me.

Because the photograph still shows the other sentence.

And I begin to wonder something I had not considered.

Not who wrote the note.

Not who said my name.

But who expected obedience.

The note remains on the table.

I do not touch it again.

Hours later it is exactly where it was.

I know because I photograph it again.

When I compare both images, the note has not moved.

Neither has the shadow.

Neither has the table.

Only the sentence has changed.

I have to move my neck…