The Aesthetics of the Limit: Saturation as Technical Fullness in the Fixedness Mechanism

The cup is on the table.

I don’t remember using it.

I sit for a moment before looking again.

It is still there.

That doesn’t calm me.

It makes me think I’m using it as a test I never agreed to.

As if the cup is not an object.

But something that checks whether the day is correctly placed.


The screen

I close the screen.

Or I think I do.

I look again.

It is closed.

No problem.

But I don’t remember the gesture.

Only the result.

And that is starting to matter more than the action.


First crack

I don’t remember when I started checking things.

I remember checking them.

But not the moment it stopped being normal.


The alarm

The alarm goes off.

Three minutes early.

Again.

I do nothing.

I just look at it.

I think I should change it.

But I don’t know to what time.

Only that there is a time that feels “wrong”.

I don’t know where that idea comes from.


Test

I take a photo of the cup.

The photo is correct.

The cup is where it was.

That should end it.

But I don’t remember taking the photo.

Only seeing it.

And that makes no sense, but I can’t reject it either.


Something starts to invert

I don’t know if the cup is there to confirm the world.

Or if the world is there to confirm the cup.


The neck

I have to move my neck.

I stop.

Not because I can’t.

But because I don’t know what it would prove.

If I move it, I confirm I can.

If I don’t, I don’t know if the thought was mine or already there.


Small shift

I used to think doubt came after things.

Now I think it comes before.

Before I even look.


Small error

I close the screen to stop checking it.

I open it again to check I closed it properly.

I don’t fully decide.

That is the worst part.


For a second I think I understand what is happening.

Then I realise something worse.

It’s not that I don’t understand.

It’s that I don’t know who started trying to understand.

I have to move the neck there is no neck…