The Architecture of Chastisement: The Crop as a Precision Instrument and the Mechanism of Mineral Obedience

I found a photograph I don’t remember saving.

There was no person in it.

Just a chair.

A white wall.

And a riding crop resting in a corner.


I stared at it for several seconds.

Then I checked the date.

Then I checked it again.

The date hadn’t changed.

The feeling had.


At first I thought it wasn’t the first time I had seen the image.

Then I found something strange.


A folder with the same name already existed.

Created eight months earlier.


I don’t remember creating it.


I thought about Sade.

Not punishment.

Not obedience.

Something else.

The way certain objects seem to remain motionless while everything around them changes.


I opened the folder.

There were seven files inside.

The same photograph.

Seven times.


The strange thing wasn’t the repetition.

The strange thing was that every copy carried a different date.


I spent nearly an hour trying to determine which one came first.

I couldn’t.

Every answer seemed to open an earlier question.


I found a note inside a book.

I didn’t remember writing it.

Until I recognized the handwriting.


The sentence said:

“Don’t start with the photograph.”


I immediately returned to the photograph.


The chair was still empty.

The wall was still white.

The riding crop was still resting in the corner.


But now I noticed something else.

A shadow.


I couldn’t tell whether it belonged to someone.

Or to something that hadn’t entered the room yet.


Over the following days I kept reviewing the files.

I lost time.

More than I realized.

I forgot calls.

Delayed replies.

Found searches I didn’t remember making.


One of them appeared seventeen times.

Always the same.


“When did it begin?”


There was no object after the question.

Nothing else.


Just that.


Yesterday I found a second note.

The same ink.

The same handwriting.


“You already found the first answer.”


It wasn’t true.

I hadn’t found any answer.


Or perhaps I had.

And forgotten it.


This morning a third note appeared.

Folded inside the folder.

I’m certain it wasn’t there yesterday.


The sentence said:

“You weren’t looking for a riding crop.”


I spent several minutes staring at the page.

Because I was beginning to suspect it was right.


Maybe I had never been investigating the object.

Maybe I had spent months trying to discover why I kept returning.


I think I need to move my neck.

Or maybe I already did.


I found a new photograph.

The chair was no longer empty.


The strange thing isn’t that.

The strange thing is that the image is dated a week that has not happened yet.

I have to move my neck I am not moving it…