The Torture Variable: Industrial Design and the Rhythm of Fixedness

There is no strike.
There is adjustment.

The operator does not aim to provoke a reaction.
The operator aims to erase the interval between stimulus and response.

Intensity does not matter.
What matters is the exact moment when the difference between receiving a signal and becoming that signal stops existing.

Sometimes I think this is not felt.
But then I notice that it is.
Or not exactly.

There is something I notice right after I notice it.

And that “after” is the only remaining space I can still think of as mine.


Today I opened something without knowing why.

A tab.

There was no clear intention.
That is the first strange thing.

No objective.
Only the gesture.

As if opening it was an answer to a question I have not asked yet.

I keep looking at it.

I am not reading.

That should be reassuring.

But it is not.


For a few seconds I do nothing.

I check nothing.

It works.

That is what is disturbing.

That it works.


Then a new doubt appears.

Not about the tab.

About the fact that I am not checking.

As if the absence of verification also needed to be verified.


I close the tab.

I open it again.

Not to see it.

But to confirm there was no need to open it.

But when I open it again, I no longer remember the first reason.

If there ever was one.


There is something strange about the things that depend on me.

Not the things I look at.

The things I have to initiate.


The neck appears again.

This time I do not try to move it.

I do nothing.

I wait.

Nothing happens.

And for a second, that feels like a decision.


Then another sentence appears.

I am not sure if I am thinking it.

Or if it appears every time I stop thinking.


Pain is not the key.
It is proof the door was already open.


I have to move my neck.

The sentence appears.

Not as an order.

As a check.

I wait for movement.

It does not come.

Then something else appears:

I have to check whether I ever wanted to move it.


And that is the strange part.

Not the neck.

But the moment when an intention stops belonging to someone.


The mismatch is a crack in the marble.

I do not know when it started becoming marble.

I only know I am now holding something that should not be able to move… and yet I still try.


I have to move my neck.

I am not moving it.

And the worst part is not that.

The worst part is not knowing whether this sentence appears because I want to move it…

or because I need there still to be something I can try.

I have to move the neck I am not moving it…