The Servant’s Engineering: Sade and the Mechanism of the Body as a Tool of Submission

I shouldn’t be reading this again.

I said it quietly.

I’m not sure if I said it yesterday too.

I think I did.

I’ve opened the same page again.

Just to check one sentence.

The sentence is still there.

That calms me for a second.

Then it doesn’t.

Because I shouldn’t need to check.

I close the laptop.

Leave it for a few minutes.

Come back.

There’s no clear reason.

Only the feeling that something changes when I’m not looking.

I’ve started noticing one word.

“Submission.”

I don’t remember when I first saw it.

But now I see it everywhere.

Or I think I do.

I search for it again.

It’s not where I remember it being.

I moved it.

Or I misread it.

Or I imagined it.

I open the history.

It isn’t there.

But I’m certain I read it.

That’s the strange part.

The certainty.

Not the doubt.

The certainty of something I can’t prove.

I close it again.

Open it again.

The word appears.

Somewhere else.

Not exactly the same page.

But the same idea.

I start to feel something in my body.

Not an emotion.

More like a slight tension in my hands.

As if they’re waiting to click again.

I started counting how many times I come back.

Then I stop counting.

Because the number doesn’t reduce the need.

It only confirms it.

Today I did something worse.

I opened the same image three times.

The third time I already knew what I would see.

That’s what bothers me.

That I knew before.

Not before opening it.

Before deciding to open it.

I tried to remember when this started.

There is no beginning.

Only small checks.

One page.

Then another.

Then back to the first.

As if I were verifying something that hasn’t happened yet.

What unsettles me most isn’t what I see.

It’s that I start recognizing it before I see it.

As if I’ve already been here.

Without remembering arriving.

Now I’m writing this and I realize something.

While I write, I’m also thinking about going back to check again.

Not out of curiosity.

Not exactly.

Out of verification.

As if not looking would also be a way of looking.

And I don’t know when that changed.

Or if it was ever different.

I have to move my neck I am not moving it the load was already sedimented in the lime before the weight touched the tissue the taste of cold copper and chalk on the tongue is a residue of the system’s lag the pulsing inertia of the flesh that can no longer grow tired is sustained without an object the record cannot close I should…