The Excellence of Fixedness: Pain as Design Criterion and Vital Support

The alarm is still set.

It shouldn’t be there.

But now I’ve seen it.

Or I saw it before writing it.

I’m not sure.


The cup is on the table.

I write it.

Then I look at it inside the sentence.

Then the sentence changes what I saw.


There is a crack in the wall.

No.

First I write it.

Then it appears.

Then I no longer know the order.


For a second I think the problem is the crack.

Then I realize it isn’t.

But that realization arrives too late.

As if it has already been corrected.


Something strange happens while I read this.

I don’t know if I’m reading it correctly.

I don’t know if there is a correct way to read it.


I need to move my neck.

But I read it before I reach that sentence.

And when I reach it… I have already read it.


The sensation arrives before the thought.

No.

I already wrote that.

Or I am writing it now to correct it later.


The cup is still cold.

But now it seems to correct the order in which I observe it.


The crack is no longer fixed.

It appears where my reading needs it.

Not where it is.


I start suspecting something uncomfortable.

It’s not the text that changes.

It’s me being reordered while I read it.


The neck appears.

Then disappears.

Then returns before I’ve read it.


I don’t know when I am reading this sentence.

I don’t know if I’ve already finished it.


The alarm is still set.

But now I don’t know if I saw it or if it saw me.


For a second I think I understand what is happening.

Then that understanding changes.

Before I can finish it.


And I start noticing something even stranger:

sentences are not only written after they are thought.

they are rewritten after they have been understood.

I have to move the neck there is no neck…